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Mario Cesare Collection

  • Introduction to the Collection
  • How to Buy a Violin from the Collection
  • Violins under $1000.00
    • 1/4 Size Suzuki 1966
    • Strad copy 1713
    • Beginner Violin #1
    • Beginner Violin #2
    • Metzo Violin
    • Czecho-Slovakia Violin #1
    • Czecho-Slovakia Violin #2
    • Montreal violin
    • No Name violin
    • Student Violin #2
  • Violins $1000 to $2000
    • 1/2 Size violin Strad copy
    • Vintage half size violin
    • 3/4 size violin
    • French Strad copy
    • Berini violin
    • Dark stained violin
    • Student Violin #1
    • Strad copy 17--
    • Stainer violin
  • Violins $2000 to $3000
    • Strad copy 1716
    • von Eizelmurld 1937 violin
    • Amatus 1614
    • The Antiqued Antique
    • Wilhelm Duerer 1902
  • Violins $3000 to $4000
    • Amatus 1645 violin
    • Antonio Martello
    • Knopf Violin
    • Family Violin
    • Imperial Violin
    • Guarnerius copy
  • Violins over $4000
    • 3/4 Strad copy violin
    • Very Old German Violin
  • Violins over $10,000
    • Wolff Bros 1888 Violin - For Sale

Mario Cesare Collection - Violins Sold

  • Deconen Violin
  • Old German Violin
  • Berlin 1808 Violin
  • Italy violin
  • The Tourte Bow
  • German Blonde
  • 3 Violins - no pics
  • Made in Nippon Violin
  • Strad Copy 1728
  • Strad copy Blonde
  • The Hill Bow

Amati Family Violins

With the coming of the Baroque period came commissions to produce this new dramatic art and music. Andrea Amati was the benefactor of one of these commissions by the French King Charles IX. (The king's mother was Italian.) Of the 38 stringed instruments commissioned 16 survive and some of them are of questioned authenticity.

Andrea Amati

Andrea Amati (1505 - 1577) His model and construction techniques set the new standard for how violins were to be made. He is the inventor of the modern violin. 200 years after his death the greatest violin maker of all time Antonius Stradivarius used the same model and techniques to build his masterpieces.

The Amati line goes through 4 generations of violin makers. His son Antonio joined him in the shop from 1555 until his death. His youngest son Girolamo joined them them in 1575.

Antonio and Girolamo Amati

Antonio Amati (1550 - 1608?) From 1555 Antonio worked for 20 years building violins with his father . His father's name was on the violin but undoubtedly Antonio did more and more of the work through the 1560's and 70's. In 1575 his brother Girolamo Amati (1561-1630) started to learn the business. They made some improvisations including perfecting the shape of the f-holes. Their label read Antonius & Hieronymus Amati and are historically know as "the Amati Brothers" violins .

In 1588 the brothers had an historic falling out. Antonios left and Girolamo continued the family business and passed it on to his son.

Nicolo Amati

Nicolò Amati (1596 – 1684) Nicolo probably entered the shop around 1610 at the tender age of 14. He was probably doing the bulk of the work by the 1620's but the label on the violins from those periods still reads the Brothers Amati.

The amazing piece of history in this story is that famine and the plague went through Cremona in the 1630's. In this city of violin makers, Nicolo was the only violin maker who survived. The historic twist is that not only was he the only one to survive but he is considered to be the best craftsman of all the violin makers in this family. The shop not only flourished for its violin production but it also produced some of the most promising violin apprentices of all time including a young Antonio Stradivari.

Girolamo Amati

Girolamo Amati (1649 – 1740). This was Nicolo's son and marks the last generation of the The Amati family of violin makers. His work was not a match for his father's products and was inferior compared to that of the greatest maker of his day, Antonio Stradivari. He did make some innovations and was undoubtedly a very good luthier. History put him in a hard place to be a star. Between his father and Antonio Stradivari you had to be one of the greatest of all time.


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